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Bookshop Memories: Bluestem Books, Lincoln, Nebraska

Bluestem Books – Lincoln, NE

Growing up in Lincoln, Nebraska, in the 1980s and ’90s, there was a bookshop in the scuzzier part of downtown in an old brick building, under a towering overpass that took you out to the interstate on the east side of town. It was a tiny corner of our modest town that felt like a much bigger city. There were pigeons. 

Bluestem Books was an institution by then. There were always cats around, and no one cared if you stayed and browsed or just sat and read for hours on end. Even as a teen doing his best grunge impression day in and out browsing the history, essays, and mystery sections. There was an old green chair in a little nook that was a coveted spot. People would circulate through the store, accidentally sneaking up on one another because there were virtually no open lines of sight because of the tight, full shelves. 

The building was also ancient, for Lincoln. The wavy glass in the drafty windows and crumbly brick gave the building a charming derelict feel it may have deserved. Doorways had been knocked through brick walls, giving the shop a rambling layout. The wood floors creaked dreadfully, though muffled under threadbare, faded rugs. Old cast iron pipes passed through here and there, their purposes unclear. Strange metal fittings studded the concrete vault ceilings in places. I wondered if portions of the bookshop had once served as a meat locker or some other weigh-station for once-living things headed out on the nearby rail lines. 

It was always warm in there. It probably had more to do with an old boiler heating system, but that was my recollection of it. Going there on an intensely cold day, howling winds that wanted to slam the door on you as you wrenched it open. The door may have been kept attached to the building with a long, old storm door spring to help it eventually snap shut. The spring sang a stretched-out springy twang and thwack back into the door as it closed. There was a faded, soiled note taped to the door with instructions on how to use the door. “Hold on tight on windy days,” or “Don’t let the door slam,” or something like that. 

Near that old green chair were a couple of short shelves dedicated to series like Everyman’s Library and The Modern Library — small vintage uniform editions of classics and some contemporary fiction, “contemporary” meaning 1920-1965 or so, arguably the heyday of such series. It was there that I saw the Modern Library series as a series — the recognizable books were a great size and affordable, and they looked cool on the shelf. Looking cool on the shelf is a virtue we don’t admit often enough as book lovers. 

I don’t remember if I bought any Modern Library books there that early … I may have. I never had a lot of money, but I sometimes had a job after school, so I had a little spending money in my teens. I don’t remember buying much there in my teenage years, really. But it felt good to be somewhere where I could buy books. 

After leaving Lincoln for college, I would try to come back whenever I was back in town. I’d bring friends sometimes but usually come alone. It was the kind of bookshop that in some ways was better to go alone. 

Reading one of the John Dunning biblio-mystery novels featuring his rare bookseller/ detective, Cliff Janeway, which takes place mostly around Denver, I sat upright one night where toward the end they mention Bluestem Books in Lincoln by name. My book world had been so insular, so much part of my niner life that it was strange to think this author had been there too and wrote about it, and it came into my hands. I took my battered paperback down to Scott at Bluestem and had him autograph it. He laughed and told me he’d had a few others, but not in a long time. 

Around 2000, they added a bookshop dog, who was a delightful addition, and quite a departure from the cats they had. A floofy friendly thing a little less broad than an ottoman and about as tall named Don Diego. I’m not a cat person, but I remember one cat named Thurber who had been awarded employee of the month for several months (and years) running. But then Diego was different. He was eventually awarded the title of Director of Customer Relations, a role to which he was perfectly suited. He was a Havanese, a breed of dog I had to look up later after I’d asked the owners about him. “He’s hypoallergenic!” they claimed. Don Diego’s grand-niece Maribel is now filling in since his retirement. 

Bluestem Books magnet featuring Havanese dog, Don Diego
Don Diego de la Bluestem. And the old address under the overpass.

Even by the mid-1990s, things were changing in downtown Lincoln’s western district, soon to be ubiquitously known as “The Haymarket.” The thrift stores and vacant storefronts that were home to the homeless and pigeons were beginning to change. Fresh brown paper went over the windows, and work trucks began to fill the alleyways. Eventually, it became Lincoln’s hotspot, to the betterment of local tax revenues, no doubt, but losing its seedy charm. 

Bluestem had to move too, eventually but managed to find a larger location not too far away, but it’ll always be the old building in the shade of an overpass I used to think was a meat-locker by the railroad tracks on the bad side of downtown that I’ll hold in my heart.  

About the Author: Benjamin L. Clark writes and works as a museum curator.

Bookshop Memories: Barnes & Noble – Lincoln, Nebraska

Barnes & Noble – Lincoln, NE

When Barnes and Noble arrived in Lincoln, Nebraska, in the spring of 1994, they staked out a huge chunk of prime real estate right on “O” Street. It cleared a fiefdom from the car dealership that ran nearly uninterrupted for eight blocks on both sides of Lincoln’s main street. This giant new store was a big deal. Not only did they bring easy access to a cosmopolitan newsstand, but of course, that hallmark and highmark of modern western culture: Starbucks coffee. Finally, we could buy fancy, expensive coffee drinks and not have to go all the way downtown for the pleasure. And it was from a brand we had heard of on television. 

My Dad, who owns a small business, had rented a pleasant office nearby several years earlier on a bank building’s fourth floor. He was thrilled. Who knows how many hours he killed there during the week looking through car magazines, bringing home the occasional Hemmings Motor News or the aspirational DuPont Registry for us to get a glimpse into how wealthy people live. “This house has its own waterpark!” One night he came home with an espresso machine. It wasn’t one sold by Starbucks, I’m sure. However, we cannot doubt the inspiration for buying the contraption. This strange, exotic machine stayed in its box in the pantry for some time, though I don’t know why. Perhaps we were intimidated by it.

One day I was home playing hooky, sometime in the seventh grade, and I dug the machine out and plugged it in for the first time. By then, I was regularly drinking sweet milky coffee concoctions. It was time to learn about the real thing. I read the manual, opened the little packet of pre-ground, measured coffee pods, and let it rip. Soon, I was dissolving Werther’s Original candies to mix in. Italian branded flavored syrups had already appeared in our home to make Italian sodas, so the idea to sweeten it up wasn’t a new one. I had one waiting for Dad when he came home. I was lucky my head didn’t explode with what was probably a near-lethal amount of caffeine in my young body.

When Barnes & Noble came to town, going to the bookshop became less remarkable. In those years, the store was clean, cool, and bright—a respite in a hectic day, not a dive into some subject, writer, or experience. We were just going to grab a coffee, maybe browse a little and go.

Festooned with holiday decorations and a table of ladies ready to wrap gifts, I quickly made it my preferred place to buy gifts during the holidays. The big wood double doors, with the little panes of glass, swung easy and offered a warm welcome in the winter. The ladies were from some good society doing good works. Their wrapping paper was thick and subdued, and it was only a donation to have them quickly wrap up all these rectangles. I’ve never been great at wrapping gifts, so it was an easy choice. 

It was the ’90s, I was in high school, and I didn’t have much money to spend. So, another thing I loved at Barnes & Noble was that they carried Dover Thrift Editions. If you’re not familiar with this series of books, they are the absolute most cheaply produced paperback books of all time. And with our annual 14-hour drive each way to Michigan for Christmas at my Grandparents’ ahead of me and a weeklong stay with virtually no television and early bedtimes — it was a reading paradise. Yes, I could read our assigned books for school, but I already wanted to read other stuff. And the Dover Thrift copies of Treasure Island, Robinson Crusoe, and The Hound of the Baskervilles fit easily in my bookbag and only cost a dollar or maybe two each, at the most. B&N would even put them on sale for half-price, so $10 would buy a lot. It was almost as good as the used book sale in the mall’s basement each summer, but these books were *new*. 

The wallpaper graphic covers today give me a warm, Christmassy feeling, awakening memories of laying in the rollaway bed in my grandparents’ basement in northwestern Michigan, the little basement well-windows filled with snow diffusing morning daylight bright enough to read by. Grandma cooking a full breakfast upstairs and a few murmured Good Mornings meant the coffee pot was already on its second run. 

I didn’t own a lot of new books. Most of the books on my shelves were claimed from my parents’ shelves or bought at the used book sales put on by the retired teachers association. They had books as cheap as 10 cents back then. I could come away with a grocery stack about to split for a few dollars, stuffed with wonderful old Modern Library editions, the solid colored Penguin paperbacks, and anything else that struck my fancy. Writing that memory, in particular, makes me feel like when my grandfather would reminisce about going to the movies, buying a candy bar, taking the streetcar home, and leftover change still clanking in his pocket from the quarter his mother gave him for his outing. 

It feels strange to feel nostalgia for Barnes & Noble in the 1990s. Having the behemoth come to town felt like a declaration of war against the small independent shops. However, many of them were just fine in the end. The bookshops at the mall took the brunt of the blow — places like Walden Books and B. Dalton. At least that’s how it looked to a teenager in Lincoln, Nebraska. 

About the Author: Benjamin L. Clark writes and works as a museum curator.

Keith Haring’s trap

“It’s easy to fall into a trap of making things that are in the manner of previous “successful” endeavors — is it a trap?” — Keith Haring, Journals Nov. 1979, page 85.

Cover of Keith Harring's Journals
Cover of Keith Harring’s Journals

Could this be a thing? It’s certainly a thing, but is it on the level of Murphy’s Law? Around May 1st last year, I found a copy of Keith Haring’s Journals visiting a favorite local thrift store (for books). Of course, I had to take it home. I always love a good collection of journals or letters. In my copy, a large paperback by Penguin, there was supposed to be an introduction by Shephard Fairy, but it had been torn out of this copy for some reason. I didn’t notice when I found it. The previous owner otherwise kept it in good shape and tore it out pretty cleanly, so it’s not noticeable, and something tells me I’m not missing much. They also seem to have used white-out across the statement about Fairy’s intro.

So, what about this trap of success? I imagine it should have a name. The [something] Paradox. If there’s not yet a name for this, there should be. The curse of success? Many creators struggle with this and others seem to just roll along, evolving by creating and trying, but every creator is lured back, or at least tempted by what was successful in the past. Especially if that’s how you eat and shelter.

It’s not *my* problem — I don’t have the level of success solely by my own creation and work, but it’s an interesting question. But, as someone who does make things, I want the things I make to be fresh. For my own sake, I want to keep my work fresh, mostly, but also to have a sense of progress, of making and not simply re-making. So, now I must ask myself at various points in a project, “Am I falling into the Haring Trap?”

About the Author: Benjamin L. Clark writes and works as a museum curator.