Good grief
So, I’ve had a drastic move in my day job: It’s been about a year since moving to California for a dream job: I’m now the curator of the Charles M. Schulz Museum and Research Center. Yes, that makes me the official historian of Snoopy, Charlie Brown and the whole Peanuts Gang. It’s been fantastic, but it’s been hectic in my first year here and it’s not left any time at all for much creative writing. Don’t get me wrong, I’m writing constantly … for work. We have six exhibitions per year, and I write all of them, and there have been special projects that were waiting as well, so it’s been crazy but the end is in sight.
We’ve also been busy as a family getting to know our incredible new home. Sonoma County and the Bay Area, in general, is just a very special, beautiful place, and as people who love the outdoors, it’s easy to put the notebooks aside for the weekend and just go. The beach, the mountains, the Redwoods, several hundred wineries, world-class dairies with their specialty cheese shops — it’s a lot to take in for a family of midwesterners who are used to holing up for the winter and not seeing true warmth and daylight until May.
Also, (back to work), I’ve had a lot of reading to do. Like how to do you become an “overnight” expert on a man who has had a handful of biographies, has given hundreds of interviews, and wrote and drew a daily comic strip for nearly 50 years (to the tune of 17,897 strips!) — A lot of reading. A lot, lot of reading. And to read his influences. And his acolytes. And I’m not done, by a long shot, but I think I’m starting to see the margins of life reforming where I can slip in a creative word or two outside my journal.
I’m a blockhead
In the past year, I’ve been learning a lot about comics and how they fit into pop culture in the 20th Century and coming forward to now. So, in an effort to keep my bona fides current, and to be a good creative person, I’m showing my work (#showyourwork) as a sort of disciple of Peanuts fan Austin Kleon has taught in his wonderful books which really kicks off with Steal Like an Artist, his follow up Show Your Work, and the just-released Keep Going.
So, on that front, of being a good museum curator, here is my recent-ish interview for the podcast It’s A Podcast, Charlie Brown. It’s something of a monthly audio magazine for the true Peanuts fan. My interview begins around the 36:30-minute mark or so.
Historical Fiction for the Historian
Most of my research is done through primary sources: newspapers, career guides, self-help books, medical books, etiquette guides, advertisements and so on… I also look at secondary sources, but then always pivot back to read the sources from the period that are referenced. In terms of writing historical fiction, one of the most interesting things for me is not presenting events as we might understand them today, but trying to understand how the same events were perceived during their time. So, in the case of the sleepwalker found frozen to death, in the 2010s, we would immediately question “too much schoolwork” as a cause, but in the 1910s, that opinion was backed up by doctors and medical books. And in fact, in the course of Kitty’s investigations, she speaks to a “nerve specialist” who tells her that girls who study too hard or work too much (like herself) are prone to all sorts of diseases. She has to get past that in order to solve the mystery.
