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A curated $6 million shopping spree, part 4 – Syd Hoff

In which I continue my $6M Comics Shopping Spree

As you may recall, Action Comics #1 (DC, 1938) sold for $6M not long ago, breaking all previous records for a comic book sold at auction. The sale got me playing a fun “What if?” game in my head, like you do when you hear about big lottery winners. We all do that, right? You can grab a reasonable facsimile of Action Comics #1 to enjoy this comic at home and come along with me as I “spend” $6 million on one-of-a-kind original comic art. The kind of thing that museum curators (like myself) call you up to borrow. I’ll explain in more detail at the end of this post if you’ve started at this point for some reason.

Syd Hoff

Syd Hoff’s work is among some of the most recognizable and enduring illustrated comic work of the 20th Century. You’ve read Danny and the Dinosaur, right? What about the one where they visit a museum? His book about a circus elephant who is forced to make his own way in the big city was a bigger hit at our house, Oliver.

His remarkable collection of cartoons, The Ruling Clawss, which he did under the name A. Redfield for the “Daily Worker,” was recently reissued by the New York Review of Books for the first time in almost 100 years. It’s a hilarious collection, and though a few cartoons perhaps do not carry the bite they did when they were first published, it is still filled with cartoons that give me a knowing, grim grin. I should write a full review of this book, as I don’t think I’ve seen much on it in the year or so it’s been out.

So, now that we’ve acknowledged the Socialist communicator and said nice things, let’s take out the fantasy checkbook fat enough to please a budding oligarch and go shopping.

$159, sold December 2021

It feels completely out of reality that Syd Hoff’s original cartoons and illustrations can be had for less than $200. I have *seen* uninteresting art made by unknown people sell for far more. And not very many of Hoff’s drawings seem to have been sold. Perhaps because the price has been (too) low? I loved his illustrations when I was a kid, and my kid loves them today. Syd Hoff’s work is still widely recognized and beloved. If I saw something in real life that really clicked with me, I’d be very tempted to pay my real money for his work.

$60,  sold October 2020

$60, sold October 2020

Hoff sold hundreds of cartoons to the New Yorker and hundreds more to other prestigious magazines.

$2,250, sold October 2024

My name is Benjamin, so … yes, I need this one. But of course, it’s also the most expensive by far. Just my luck.

$350, sold December 2022

No, that price is not each, that’s total for the lot.

$600, sold December 2022

Another bargain, perhaps. There are apparently seven more drawings in this lot, but we’re only shown five. More examples of Syd Hoff’s work that was not for children. These also have some rather alarming condition issues with the water damage/ damp staining, but a top-notch paper conservator could probably get that cleaned up and looking a lot better, and better conserved for future preservation.  Again, I’m not worrying about that now.

If you’ve loved Syd Hoff’s work and want to learn more about his cartooning, grab that book at the top of this post and a few others of Hoff’s books, The Art of Cartooning, and The Young Cartoonist: the ABC’s of Cartooning can be found on Amazon and archive.org,

$4,755,800 – $3,480 = $4,752,320 remains to spend.

All that gorgeous Syd Hoff art would cost less than the buyer’s premium for some earlier entries. Just astonishing. To sum up the situation I have put myself in, here is a little recap:

Action Comics Number 1, sold for $6 million

Action Comics Number 1, sold for $6 million, image courtesy Heritage Auctions

So, let’s say we’ve hit upon a Brewster’s Millions scenario where we must spend the $6M, and it must be spent on original comic art. Not $1M in comic art and $5M on a really nice house — all $6M on comic art. I’ll throw in a Blu-Ray of the excellent Richard Prior/ John Candy movie.

I will buy art I like, not things I only see as “an investment,” and talk about my selections. Art I want to hang on my walls and live with and enjoy. After spending $6M on original art, conservation funding, gallery space, and state-of-the-art storage will be added as a reward, so I don’t have to worry about it as I’m splashing out for big-ticket items and won’t let my museum curator brain get too distracted about planning and worrying about caring for it all longterm. I’ve worked in museums for over twenty years, so I can’t help but think about these things.

The Rules:

  • The budget must be respected — I will only spend $6M and must spend all $6M.
  • In the interest of transparency, I will only shop publicly. Gotta show those receipts. No bidding up the next cool thing to $6M and be done. No deals with a wink and a nod to pay $6M for something not worth anywhere near that and split the difference on the back end. Let’s keep this as above board as high-end art buying can be. [cough] (**My citation of a sale somewhere *is not* an endorsement to shop there for real.**)
  • And let’s make the prices recent. No buying Jack Kirby art from a fanzine auction in 1972 and owning every piece by Jack Kirby to cross into private hands. So, let’s say anything purchased must be from any 2020 or more recent public sale. Also, no buying a whole comic shop for $6M.
  • Lastly, as curator of the Schulz Museum, it would be a conflict of interest for me to buy any Peanuts art, so there will be no Charles M. Schulz art on this list, though it’d be a dream come true to own anything by him. This adds more wiggle room to my budget because Schulz’s art is not cheap! 

Did I forget anything? Write me and let me know.

Did you miss the beginning of this series? Go back here for my first post and watch me spend nearly $1 million on the art of Bill Watterson! Or maybe you’d like Part 2, where I threw a pile of money at the work of Winsor McCay!  Part 3 was dedicated to the original artwork of Edward Gorey. This post contains some affiliate links.

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About the Author: Benjamin L. Clark writes and works as a museum curator.

A curated $6 million shopping spree, part 3 – Edward Gorey

In which I continue my $6M Comics Shopping Spree

As you may recall, Action Comics #1 (DC, 1938) sold recently for $6M, breaking all previous records for a comic book sold at auction. The sale got me playing a fun “What if?” game in my head, like you do when you hear about big lottery winners. We all do that, right? You can grab a reasonable facsimile and enjoy this comic at home, and come along with me as I “spend” $6 million on comic art. 

Action Comics Number 1, sold for $6 million

Action Comics Number 1, sold for $6 million, image courtesy Heritage Auctions

So, let’s say we’ve hit upon a Brewster’s Millions scenario where we must spend the $6M, and it must be spent on original comic art. Not $1M in comic art and $5M on a really nice house — all $6M on comic art. I’ll throw in a Blu-Ray of the excellent Richard Prior/ John Candy movie.

I will buy art I like, not things I only see as “an investment,” and talk about my selections. Art I want to hang on my walls and live with and enjoy. After spending $6M on original art, conservation funding, gallery space, and state-of-the-art storage will be added as a reward, so I don’t have to worry about it as I’m splashing out for big-ticket items and won’t let my museum curator brain get too distracted about planning and worrying about caring for it all longterm. I’ve worked in museums for over twenty years, so I can’t help but think about these things.

The Rules:

  • The budget must be respected — I will only spend $6M and must spend all $6M.
  • In the interest of transparency, I will only shop publicly. Gotta show those receipts. No bidding up the next cool thing to $6M and be done. No deals with a wink and a nod to pay $6M for something not worth anywhere near that and split the difference on the back end. Let’s keep this as above board as high-end art buying can be. [cough] (**My citation of a sale somewhere *is not* an endorsement to shop there for real.**)
  • And let’s make the prices recent. No buying Jack Kirby art from a fanzine auction in 1972 and owning every piece by Jack Kirby to cross into private hands. So, let’s say anything purchased must be from any 2020 or more recent public sale. Also, no buying a whole comic shop for $6M.
  • And lastly, as curator of the Schulz Museum, it would be a conflict of interest for me to buy any Peanuts art, so there will be no Charles M. Schulz art on this list, though it’d be a dream come true to own anything by him. This adds a lot more wiggle room in my budget, because Schulz’s art is not cheap! 

Did I forget anything? Write me and let me. Ok, let’s go!

Edward Gorey

As we observe the 100th anniversary of the birth of Edward Gorey this year, I looked at my family calendar hanging in the kitchen, which is Edward Gorey themed, and I realized I don’t think I’ve ever seen any of his original art in person. I’ve seen so much of his work as book covers for all kinds of writers, as posters, and of course his own wonderful books, but not the original art. (The month of March on our calendar is the page from The Gashleycrumb Tinies, where “N is for Neville who died of ennui,” in case you were curious.) 

Granted, Edward Gorey is not a “comic artist” in the strictest sense, but his illustrations have influenced so many who have come since, and are so singular, and deeply funny, I cannot skip having him in my dream collection. And, as collecting is a deeply personal endeavor, I’m including him. So, into the auction rooms we go, paddle in hand. 

$7,500, sold October 2023

Apparently, there is not a ton of Gorey’s art in private hands. I know he was prolific, so I imagined there would be a lot of great work to choose from. Also, I am shocked at the low prices. Gorey is widely admired, and his work rarely comes to auctions. Even then, selling for very modest amounts is an eye-opener. Maybe because he is sold as “fine art” and not “comic art”? I sense that the comic art crowd would pay more for his art. I selected this piece because it makes me think of the swooning lady at the beginning of the PBS Mystery! series opening, which he also illustrated. I love that opening. 

$10,000, sold June 2021

I love boilerplate return letters from authors to fans. I’ve seen some wonderful ones over the years, and would have sworn I had a blog post about some of the postcard versions that have come to light over the years, but I can’t find it. So, I’ll put that on my idea list for another time. Gorey’s delightful return boilerplate reply is perfect. Visually clever and spilling over with details that fans would delight in, and a place for his signature. I’ve never seen one of the replies — were these made? Did he send them? 

$27,500, sold December 2021

The auction sales copy for this lot alone would have sold me on buying this piece without images of Gorey’s delicately drawn horrors and beasties. 

$20,000, sold December 2021

My very favorite Gorey project might have to be the opening for Mystery! on WGBH/ PBS. This is his drawing for a t-shirt they did for the show. According to the handwritten instructions at the bottom right, the logo goes in the rectangle. A few of these old t-shirts are available on the collector market and command premiums themselves. 

$21,250, sold December 2021

I love this piece. I love the linework, the suggestion of alternate dimensions/ realities around us all the time. That feeling you get when you wonder if you could look in a reflection and catch something unexpected. That’s part of why I love Gorey’s work. 

$10,000, sold December 2022

They’ve fallen in love, but if you squint from across the room, it also makes an evil face. Perfect for when I’ve not had my first cup of coffee and I’m not wearing my glasses yet in the morning. [chef’s kiss]

$21,250, sold December 2022

I’ve always liked a little bit of spooky fun around Christmas. It’s a moody, ghosty time of year when it feels like the barriers between here and there, and where and nowhere grow thin. Gorey’s art falls into this liminal time and space for me, and having a little pretty, bright-colored paper featuring a plant that people claim is deadly but is actually simply lovely to look at, seems about perfect. 

$4,873,300 – $117,500 = $4,755,800 remains to spend.

Did you miss Part 1 of this series? Go back here for my first post and watch me spend nearly $1 million on the art of Bill Watterson! Or maybe you’d like Part 2, where I threw a pile of money at the work of Winsor McCay!  This post contains affiliate links.

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About the Author: Benjamin L. Clark writes and works as a museum curator.

Bookshop Memories – Books on Broadway, Williston, North Dakota

Chuck Wilder was an attorney when his wife Robin wanted to open a bookshop in a small town near the western border of North Dakota and Montana. And so, they did. They opened a great shop with a nice craft coffee counter and that independent vibe bibliophiles love in a bookshop. Sadly, Robin died early on in their venture, and Chuck decided to run the bookshop full-time. And that whole region of western North Dakota and eastern Montana has been lucky to have him there for over thirty years. 

Books On Broadway sells primarily new books, but keeps up a good trade in hard-to-find regional history books, which are usually rare and out of print. It’s also a great place to find a souvenir or gift in a region that doesn’t have many shopping opportunities for finding a nice “local” gift to send someone. He may have even had toys and kites? I remember it being a good-sized store with unexpected things — and, of course, a great selection of books from big publishers and things of regional interest from university and small presses, too. 

It’s hard to express what it meant to have a small independent store that sold books even an hour away, across a state border, while living in a place like Sidney, Montana. Yes, the museum where I was executive director sold a few new books related to the region’s history, but that was it, locally. No new or used bookstore was open there, and Books on Broadway was the closest bookshop. So, going there to browse, and be reminded of the larger world was incredibly encouraging and uplifting for me at that time. I’m sure I wasn’t the only one who felt that way. *AND* to have a civilized cup of coffee somewhere was not a small consideration. The other option for browsing a bookshop was to visit the big box stores and indy shops in Billings, Montana, which was a three-hour drive each way, which was too far sometimes.

Chuck Wilder understood this and was also an encourager. He frequently co-sponsors literary and cultural events in both North Dakota and Montana, like Shakespeare in the Park, author panel discussions, and book fairs. I remember him specifically when I was helping to bring Shakespeare in the Park to Sidney, Montana, and he was helpful to us. He did the same for author events at the MonDak Heritage Center, the museum where I was the director. And if he couldn’t co-sponsor an event, he’ll still help get the word out, attend events personally, set up a table, and have a kind word for the organizers afterward. Books on Broadway and Chuck Wilder are treasures and part of what makes book people some of the best people you can meet.

About the Author: Benjamin L. Clark writes and works as a museum curator.

The Best Bookends for Heavy Art Books

We have a lot of books. Not as many as we’ve had at other times in life when we enjoyed “midwestern” quantities of residential space, but even in California’s Wine Country, we have a lot of books. Before moving from my native Nebraska to Texas for grad school, I unloaded hundreds of books, mainly at Bluestem Books in Lincoln, Nebraska. Life in Texas, Oklahoma, Montana, and back to Nebraska saw the number of books fluctuate by the hundreds again and again. Then, an immediate turn left to California saw us unloading hundreds and hundreds of books, mainly at Jackson Street booksellers in Omaha.

A large black bookend stands at the end of a row of large books. Visible is a collection of cartoons from the magazine The New Yorker.

Today, we have hundreds of books at home. Most books are easy to shelve, but I’ve struggled with heavy, large-format art books. I’m a comic art museum curator, so I especially have a weakness for giant artist-edition books. Stacked on their side, largest to smallest, is okay, but it can make those most oversized books on the bottom hard to grab. Also, the weight of the smaller books, especially if they’re much smaller, can cause the front cover of the bottom book to distort over time. The best solution is to store them standing upright. But, if they fall, their weight can damage books that were expensive to begin with and perhaps impossible to replace. I’ve had page blocks rip away from spines, cracked hinges, you name it. I’ve come to rely on these affordable, heavy-duty bookends to keep my biggest books on the shelf, where they belong. They’ve never let me down, even with the modest seismic activity we’ve seen. So, if you’ve been needing good bookends and trying to get by with the cheap little ones, don’t do that. These are money well-spent. Your books will be happier and safer with these sturdy bookends.

I was named an expert in an ApartmentGuide article. Check out the featured article How to
Create a Cozy DIY Reading Nook in Your Home
| ApartmentGuide (a Redfin subsidiary)

This post includes Amazon referral links.

About the Author: Benjamin L. Clark writes and works as a museum curator.

A curated $6 million shopping spree, part 2 – Winsor McCay

In which I continue my $6M Comics Shopping Spree

As you may recall, Action Comics #1 (DC, 1938) sold recently for $6M, breaking all previous records for a comic book sold at auction. The sale got me thinking, playing a fun “What if?” game in my head, like you do when you hear about big lottery winners. We all do that, right?

Action Comics Number 1, sold for $6 million
Action Comics Number 1, sold for $6 million, image courtesy Heritage Auctions

So, let’s say we’ve hit some kind of Brewster’s Millions scenario where we must spend the $6M, and it must be spent on original comic art. Not $1M in comic art and $5M on a really nice house and estate for it all — all $6M of it on comic art.

I will buy stuff I like, not things as “an investment,” and talk about my selections. Art I want to hang on my walls and live with and enjoy. After spending $6M on original art, conservation funding, gallery space, and state-of-the-art storage will be added as a reward, so I don’t have to worry about it as I’m splashing out for big-ticket items and won’t let my museum curator brain get too distracted about planning and worrying about caring for it all longterm. I’ve worked in museums for over twenty years, so I can’t help but think about these things.

Some parameters:

  • The budget must be respected — I will only spend $6M and get as close as possible to spending all $6M.
  • In the interest of transparency, I will only shop publicly. Gotta show those receipts. No bidding up the next cool thing to $6M and be done. No deals with a wink and a nod to pay $6M for something not worth anywhere near that and split the difference on the back end. Let’s keep this as above board as high-end art buying can be. [cough] (My citation of a sale somewhere *is not* an endorsement to shop there for real.)
  • And let’s make the prices recent. No buying Jack Kirby art from a fanzine auction in 1972 and owning every piece by Jack Kirby to cross into private hands. So, let’s say anything purchased must be from any 2020 or more recent public sale. Also, no buying a whole comic shop for $6M.
  • And lastly, as curator of the Schulz Museum, it’d be a conflict of interest for me to buy any Peanuts art, so there will be no Charles M. Schulz art on this list, though it’d be a dream come true to own anything by him.

Did I forget anything? Write me and let me. Ok, let’s go!

Winsor McCay

A pioneer of comic strip art, animation, and drawings that will break your brain and make you feel too unworthy to pick up a pencil. However, he was a pioneer of the comic strip form and is widely recognized for his artistic ability, even among art lovers who will turn up their noses at comics. You can read up on him on Wikipedia if you don’t know who he is. Let’s get into some art!

$168,000, sold March 2020

Incredible action in this Little Nemo Sunday page, which is what I always love to see in Nemo strips. The action and the fantasy are all incredible. Doonsbury cartoonist, Garry Trudeau owned this one for an interesting bit of trivia to go along with it as it hangs in my dream collection. It is also one of only a few Winsor McCay Sunday pages sold since 2020. I like this one best because it captures the action I love seeing in his work. I’m also a fan of his draftsmanship, like anyone, but his action is funny and fun to look at, except for the racist bits that he sometimes included, which are gross and a bummer. The price, granted, is more than I have spent on a house in my life, but still — worth it.  With $6M to spend, I’m not bargain-hunting!

$75,000 in October 2022

Again, beautifully drawn — this time with Santa and reindeer and crowds of people we should think of as we head into the holiday season. We see some of McCay’s thinking as an editorial cartoonist. I can really get behind this one. It’d be a treat to hang it on December 23rd and take it down on December 26th like all good Holiday decor.

$6,500 in June 2024 at Swann Galleries

This looks like a sketch, not the finished drawing, which is super impressive on its own. Swann Galleries says it was for one of McCay’s editorial cartoons. Some catastrophic flood has hit Manhattan — another calamity from the mind of Winsor McCay. Nightmares that make you fall out of bed, a sneeze to match a typhoon, and here, with buildings turned topsy-turvy. Again, it is a crazy, fantastic image and frankly, a bargain at the price.

$20,000 in June 2022 at Artcurial

I adore this one. I always love a comic strip about visiting museums. I’ve often thought that would be a fun collection theme — Museums In Comics. I love how McCay outlined the dinosaur and filled in the bones. What it lacks in anatomical correctness, it more than makes up for in skeletal and fossil vibes. Also, there is a hint to his future Gertie the Dinosaur animation! The drawing also *feels* like a fragile clattering problem waiting for the tiniest excuse to fly to bits, which it admirably does in the fifth panel. This is also a seemingly rare strip where a Winsor McCay hero is not being lectured or beaten for their misdeed. 

$5,200 in September 2024 from ComicLink Auctions

Speaking of McCay’s work as a pioneer animator, it’d be cool to have a Gertie piece, too, while we’re looking. Several of these have come up for sale in the past couple of years, but I like this pose best for some reason.

$5,148,000 – $274,700 = $4,873,300 remains to spend.

Did you miss Part 1 of this series? Go back here for my first post and watch me spend nearly $1 million on the art of Bill Watterson!

About the Author: Benjamin L. Clark writes and works as a museum curator.

Bernie Mireault’s The Jam: A Superhero Story Rooted in Reality

My copy of The Jam in hand. Photo by author

Comic writer and artist Bernie Mireault died this month. He was 63. I was not familiar with him or his work, but my friend and collaborator Nat Gertler,  wearing his About Comics publisher’s hat, worked with Mr. Mireault to get his much-lauded comic, The Jam, back into print.

In the remembrances that followed Mireault’s passing, his work was praised and cited as being too little known for how well-regarded it is. He was described as a cartoonist’s cartoonist. About Comics made their reprint available at cost for about a week, so I grabbed a copy to see for myself what everyone was talking about.

The story opens with our would-be hero, a mere mortal, getting the upper hand in a mugging about to go very wrong. That’s something I really loved here — The Jam is about a superhero who is not superhuman. He’s a guy who wants to see some good in the world and has realized he can be part of that good. But, darker forces are gathering. Disillusioned young men are being drawn to a leader with a plan, and soon enough, the Jam has pissed off the Devil himself. So, if you read The Tick and thought, I wish this had a dash of Sandman, well, you’re in the right longbox.

Mireault’s The Jam is great! The writing and art are a lot of fun and very well done. It’s a grownup comic, but not quite what modern marketing people would call “gritty.” There was also something charming about the art that reminded me of, well, The Tick or old concert posters of the era. That late-1980s indie comic feel, from the black-and-white explosion. But the story also felt rooted in a very real vision of an actual city. There’s also a ton of technical know-how and thought going into each panel, each word balloon. I realized I was analyzing the lettering at various points and thinking about how crazy it is, but it was still really well done and fun. Reading The Jam made me think, “Yeah, comics are good.”

If you like the sound of that, The Jam is available in print through About Comics.

But, I should note that comics are rarely kind, or just. If you are having thoughts of suicide, you can reach out for support by texting or calling 988. The helpline is available 24/7 across the US and all of its territories.

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Inside pages of The Jam comic book, featuring black and white comic art with action throughout several panels.
Sample pages courtesy AboutComics.com

About the Author: Benjamin L. Clark writes and works as a museum curator.

A curated $6 million Comics Shopping Spree, part 1 – Bill Watterson

Action Comics Number 1, sold for $6 million

In which I go on a $6M Comics Shopping Spree

Action Comics #1 (DC, 1938) sold recently for $6M, breaking all previous records for a comic book sold at auction.

Action Comics Number 1, sold for $6 million
Action Comics Number 1, sold for $6 million, image courtesy Heritage Auctions

$6M for one comic book? That’s *a lot* of money for a comic book. It is nearly double the previous record set only a few years ago in 2021, which I think has since been regarded as funded through someone moving crypto around.

Granted, this most recent purchase is perhaps *the* comic book. If there is one comic book to own, one of these copies would be it.  I’m not begrudging the auction result. $6M is a small number in the world of fine art auctions. Even for rare books, $6M wouldn’t crack the top 10 of record auction results. But for comics, it’s enormous.

But, for $6M, you could buy something absolutely unique—not just one of a handful. Totally. Unique. And if you want to stay with comics, you can buy *a lot* of original comic art for $6M. Not just a piece or two, but an incredible collection. Original comic art is still among the best art bargains in the world, and perhaps if we play a game, I can show what I mean. 

Let’s say we’ve hit some kind of Brewster’s Millions scenario1 where we must spend $6M, and must be spent on original comic art. And not $1M in comic art and $5M on a really nice house and estate for it all. All $6M of it on comic art. I will buy stuff I like, not things as “an investment,” and talk about my selections. Art I want to hang on my walls and live with and enjoy. After spending $6M on original art, conservation funding, gallery space, and state-of-the-art storage will be added as a reward, so I don’t have to worry about it as I’m splashing out for big-ticket items and don’t let my museum curator brain get too distracted about planning and worrying about caring for it all longterm. I’ve worked in museums for over twenty years now, so I can’t help but think about these things.

Some parameters:
The budget must be respected — I will only spend $6M and get as close as possible to spending all $6M.

In the interest of transparency, I will only shop publicly. Gotta show those receipts. No bidding up the next cool thing to $6M and be done. No deals with a wink and a nod to pay $6M for something not worth anywhere near that and split the difference on the back end. Let’s keep this as above board as high-end art buying can be. [cough]

And let’s make the prices recent. No buying Jack Kirby art from a fanzine auction in 1972 and owning every piece by Jack Kirby to cross into private hands. So, let’s say anything purchased must be from any 2020 or more recent public sale. Also, no buying a whole comic shop for $6M.

And lastly, as curator of the Schulz Museum, it’d be a conflict of interest for me to buy any Peanuts art, so there will be no Charles M. Schulz art on this list, though it’d be a dream come true to own anything by him.

Did I forget anything? Write me and let me. Ok, let’s go!

FIRST UP!

Bill Watterson

$480,000, sold Nov. 2022

This particular Calvin & Hobbes Sunday has so much going for it. We get the stars of the strip doing the classic “ride downhill in a wagon” theme having a fun conversation.

I grew up in the 1980s and ’90s, so Watterson hooked me early on and was the “cannot miss” comic strip each day. Calvin & Hobbes was the strip we talked about on the playground of Ruth Hill Elementary School in Lincoln, Nebraska. I begged for the reprint paperback book collections when they came out, added them to Christmas wishlists, and celebrated the arrival of each one like a long-lost treasure. I wish I would have clipped them out of our newspaper (the Lincoln Journal-Star)! The strip is still hilarious today, even though my perspective has shifted from that of the adventurous, yearning kid to that of the beleaguered and baffled Dad. My 9-year-old has discovered Calvin & Hobbes, too, and I’ve had to do *a lot* of explaining. But it’s been a lot of fun. Still, repeat after me: Calvin sometimes makes *really* bad decisions.

Bill Watterson’s originals are incredibly rare in private hands. He kept most of his originals and has since donated the collection to the Billy Ireland Cartoon Library and Museum at Ohio State University. So, the above strip is the only Calvin & Hobbes original Sunday sold since 2020. After working with Charles Schulz’s original artwork for Peanuts for a few years, I finally got to see some of Watterson’s originals for Calvin & Hobbes, and I was shocked to see they were so small! He packed a lot of fine work into that small space. His art is even more impressive now than when I first saw it growing up, though even then, I knew it was something special.

$216,000, sold Sept. 2022

Yes, I’ll have this one, too. Watterson’s dinosaurs and monsters have always been so much fun, but after I saw somewhere that Schulz admired how Watterson drew furniture, I look at that too, and admire it.

$156,000, sold June 2023

This daily, originally published on 12/30/1987, was sold at Heritage Auctions, and even in the photos they posted, the condition looks a little concerning. It’s heavily toned, and I have seen them sweeten the photos before, so I don’t quite trust it 100%, which gives me pause. However, with the promise of conservation funding at the end, I feel good diving in.

$6M – $852,000 = $5,148,000 remains to spend.

About the Author: Benjamin L. Clark writes and works as a museum curator.

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  1. Which has a comics connection, by the way. ↩︎

Bookshop Memories – Heddrich’s, Williston, North Dakota

Heddrich's Basement Bookstore, where books are sold by the pound. The more you buy, the cheaper it gets.

Hedderich’s – Williston, ND

In 2010, I moved away from a metro filled with bookstores to a small town in northeast Montana. Oklahoma City, though not a mecca of bibliophiles, at least had some nice bookshops and was close enough to the Dallas-Ft. Worth area to go see great authors if they stopped there. Big-name authors almost never came to Oklahoma City, with Dallas being closer. Authors that did visit usually had some connection drawing them there, like they were originally from Oklahoma or had family there. 

Heddrich's Book Cavern - Williston, ND
Heddrich’s Basement Bookstore, Williston, ND. January 2011. Photo by Benjamin L. Clark

 There was no bookstore in this small town in Montana of about five thousand souls, even though it is the biggest town around for nearly a hundred miles in any direction. There had been one little bookstore, but it closed. The county library, located there, had a small shelf of books for sale for dimes and quarters — cast-offs from the donation bin. Thank God for the library. Also, the museum where I worked had a gift shop that sold books by local authors and local history, which was nice but did not go far in feeding a bibliophile’s soul. But, just a short drive away, across the North Dakota state line, was a town large enough to have a movie theater: Williston. There were also bookstores in Williston. 

Heddrich's Book Cavern
Heddrich’s Basement Bookstore, Williston, ND. January 2011. Photo by Benjamin L. Clark

Hedderich’s was not a bookstore, but they had enough old books for sale to be a point of discussion when used books came up in conversation. At one time, the building for Hedderich’s was a large downtown department store building, from the heyday of downtown retail long before online shopping or even shopping malls. By the time I lived in the area, the once proud, huge store had been converted to a sort of antique mall, army surplus, model train store. And in the cavernous basement of this enormous place was books. Nothing but old books, almost entirely unsorted and sold by the pound. There were thousands and thousands of old books down there. I called it a book mine.

The book prices were quite reasonable circa 2010. 📸 Benjamin L. Clark, the author.

What is a book mine? I don’t think I originated the phrase, but I don’t know if anyone has ever endeavored to define one. I’ve seen a few book mines, but I see them less often now. I find they are rarely advertised and don’t have websites beyond maybe a placeholder with hours — typically not updated since 2001. Book mines can have weird, irregular hours. A book mine is also usually huge. Cheap real estate helps, so they are usually in huge, rundown, leaky buildings in a part of town that’s seen better days. 

In the past, I’ve called author Larry McMurtry’s Booked Up in Archer City, Texas, a book mine. It had almost no web presence and a huge inventory. One of the biggest book stores I’ve ever seen. You could easily spend days, not just hours, looking. Perhaps book mines tend to be in out-of-the-way places. Or, maybe I’m the one in out-of-the-way places. It seems even the ones in major cities are in parts of the city that meet these descriptions, too.

Hand drawn sign for the Basement Bookstore. An open book says Sold 99c a pound, novels, magazines, paperbacks...

To be clear, Hedderich’s was *not* the Northern Plains version of Booked Up. The comparison disintegrates quickly when looking at almost any part of it. McMurtry’s store had top-quality stock, immaculate buildings, and shelving, and all of the books were knowledgeably sorted, organized, and priced. Even when I was actively selling online, I had a hard time finding books to resell to make up for the cost of my trip to Archer City the prices were so spot on. I was not a super-talented book scout, but I could usually cover the cost of books I wanted to keep, gas, and food when I went anywhere to buy old books. Sometimes, I could turn enough profit to feel good about doing it.  

By the way, that’s .99 cents per 5 lbs, not $5,99 per pound. And, Flea Market Organs. Photo by Benjamin L. Clark

Hedderich’s was the opposite of Booked Up. There were easily tens of thousands of books. But, the store’s basement, which was filled with books, was dirty. Only most of the fluorescent tube lights worked. Some flickered constantly. I could hear something dripping somewhere. Another version of the sign above announced these prices are NEW. The sign was also dated 1992. The books were barely sorted. Books seemed to be mainly from the 1940s-1980s, which was strange. Nothing very old. Nothing more recent. If you’re a Soviet/ Anti-Communist collector, this was the place for you. Do you collect self-help, pseudo-religion, or pseudo-health? Nurse-themed romance novels? This place would have scores for you. There were more Reader’s Digest Condensed Books than I’ve ever seen in one place. If you have that kind of client, these can be worth selling to realtors and interior designer types by the yard, but there was not much worth bothering with for resale online. 

To a collector, there was a lot of crap. But at these prices, who wouldn’t be tempted to at least dig a little? I found a gorgeous 1930s booklet from Zion National Park … but someone had cut a few of the photos out of it, but found another for Glacier National Park from the 1920s, which was pristine. There was a pile of old phone books, which helped fill gaps in the county archive, which was exciting for historical research purposes, but that’s a different kind of thrill. It was that kind of place. All was not lost, however. I did find a few books for myself, but mostly roamed and tried to figure out where everything was, my brain trying to impose order or find the order that led someone to bring all the books there. 

A couple dozen Ellery Queen Magazine spines. I regret not saving all of these.

Writing this essay several years after my last visit, I looked online to see if it was still open. The Hedderich’s building burned in 2017. Photos from local news sources show the multi-story building’s roof collapsed. Days later, the wreckage caught fire again, and eventually, all of whatever remained collapsed into the basement. Maybe the total loss of those tens of thousands of books won’t be missed, but the loss of the experience of searching, mining, and discovering will be something any book lover would love to find in a dream.

About the Author: Benjamin L. Clark writes and works as a museum curator.

Bookshop Memories – Archives Books, Edmond, Oklahoma

The front of the Archives Books store in Edmond Oklahoma in 2009.

Archives Books – Edmond, Oklahoma

The front of the Archives Books store in Edmond Oklahoma in 2009.
Archives Books in Edmond, Oklahoma in 2009. Photo by Benjamin L. Clark

When I first visited Archives Books, it was very small, in the end unit of a nondescript commercial strip not far from the interstate in Oklahoma City’s northern suburb of Edmond. Apparently, the owner, Wayne, had a bookshop earlier and had a giant reset as things moved online. My first visit would have been in 2005, shortly after moving to the OKC metro. Chatting with Wayne, I gathered he closed the earlier shop to transition to going fully online, retool his business model a bit, and then realized a little walk-in traffic in a room full of unsorted dreck could still make enough money to cover the rent and be a place for walk-ins to sell him a houseful of old books when a bookish relative died. 

There were several thousand books. He had a couple of shelves up front for “better books,” individually priced but still not very expensive. Everything else was $1 per book: six books for $5, fifteen books for $10. You might buy the store for a very modest sum at some point in the scale. It was a great place to rummage around for the joy of the hunt and because there were treasures to be found.

It was like panning for gold. Most of it was crap — damaged books missing dust jackets, book club edition fiction from the 1970s, partial sets of dentistry yearbooks, 1980s self-help, pyramid schemes, political memoirs of candidates long forgotten, microwave cookbooks, that kind of thing. According to the staff, these were the leftovers that had been swiftly sorted for selling online — the duds. But, the staff seemed to know little about books. I suspected they used devices to scan barcodes and ISBNs to compare prices online since much of what was in those dollar shelves was too old to have an ISBN.

Condition was a problem, and the books were completely unsorted, except to be put onto shelves generally upright with the spine out. Generally. It wasn’t as bad as one thrift store I remember from my days in Lubbock, Texas, where I once observed that they must sort their books with a hay rake, given the horrific condition of everything. 

It was the kind of jumble where you didn’t feel bad about buying books to harvest bookplates or bookseller labels. The books had broken hinges, detached text blocks, or were otherwise irredeemable specimens. A touch of mold wasn’t out of the question. It was a wonderful place to hunt because anything can be found anywhere. 

In grad school, I picked up selling books and ephemera online for extra cash. And, though now out of school and gainfully employed, I still sold books and ephemera online. Also, sometimes, I would sell to dealers if I found something good that I couldn’t sell myself and get a good price. Dealers can sometimes pay better than a random buyer on eBay because the dealer has a client looking for that specific thing, and they understand the value better. For example, I could sell a $1 find online for $30, but a dealer may offer $50, because they have a client for $100 waiting. It’s a hard habit to break.

I’ve had some nice finds over the years and even sold some really nice things for pleasing sums, but funny enough, I don’t think I ever had one of those big finds at this shop. Nothing that paid the rent that month or anything with a single sale. But it was steady enough to go regularly, even just to add to my collection of bookseller labels and bookplates.

I did find a few issues of the first Star Trek fan zine, Spockanalia, in wonderful condition. Although I am not a die-hard fan of the show, I recognized that the zines would be of interest to someone else and probably worth more than the dollar or two it cost me to take them home. They earned me a little money and were fun to look through while I had them.

The shop also didn’t value old museum exhibition catalogs. I found some great references for the work I was doing at the time for the Oklahoma Historical Society and for my own interest. Once I was done with them, they were also worth a bit online. 

Sometimes, there were notebooks or loose papers mixed in with the books. Usually, someone’s long-lost homework or lecture notes. In those early days at the bookshop, there was often a large garbage can in one of the aisles to throw away any garbage you found. However, once I did find a small pocket notebook. From the outside, it looked old. Being a little familiar with old stuff, I was excited and opened it, fully expecting it to be a farmer’s running tally of planting wheat or something similar. But, no, it was a diary. It was not just some anonymous thing, but a diary where the young woman wrote her full name, location, and date of birth on some of the earliest pages, including when she began the diary — 1886. 

I put the little diary in my pile of books for the day and headed up front to the checkout counter. I thought Wayne would see the diary and tell me there had been a mistake in shelving it in the back. He meant to put it up front or even in the battered glass case he used as a counter. He never did that before, but you can never tell. “I wondered who would find that,” was all he said. I didn’t have the nerve to ask what he remembered about where it had come from. I wish I had. 

Other things could be reliably found there and sold online for a small profit, keeping my other book collecting funded. These included the little Golden Guide books edited by Howard S. Zim, some more esoteric Time-Life series books, Random House’s Landmark series, older Loeb Classical Library volumes, and many more. 

As time passed, the shop expanded into neighboring storefronts and became more organized. It was no longer nearly all unsorted dollar books, but sorted sections. Prices, of course, went up. The last time I went was several years ago, and they still had a small section in the back dedicated to the unsorted dollar books that stole my heart all those years ago. I hope they keep it forever, and some book lover is still finding treasures.

About the Author: Benjamin L. Clark writes and works as a museum curator.

Maud the Mirthful Mule – F. Opper

Maud the Mirthful Mule by F. Opper spins in reaction to being pinched by crabs and lobsters.

I made a free mini-zine for the Santa Rosa Zine Fest this past weekend at the Northwest branch in Santa Rosa, California. This post basically includes all the contents of the zine for you. I gave them away when anyone asked about swaps, or if we just visited, or I bought a zine from them. The selection of comic panels are what I used for interior pages, and if you unfolded the whole thing, you’d see the full-color Sunday strip, like a mini poster. I had a blast seeing everyone, enjoying a little sunshine, and swapping with everyone, too.

A few favorite panels from F. Opper’s Maud the Mirthful Mule, from 1907. Frederick Burr Opper created an entire Opper-verse on newspaper comics pages in the early 20th Century. Different strips with characters as popular then as any pop culture favorite today, like Happy Hooligan, Alphonse and Gaston, Maud, and more. The dynamic drawing found in his comic strips inspires artists today.

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See below for the full strip for this panel.

About the Author: Benjamin L. Clark writes and works as a museum curator.