How to know things are bound to get worse.
Working in museums and archives, I occasionally run across something that just cracks me up. I saw this response card this week and had to share it.
I have worked in State, County, and City government. It can be rough when you’re understaffed, underfunded, unappreciated … the list goes on. I can feel for Mr. Scully.
Frank Scully, a writer, and humorist was appointed Secretary of California’s Dept. of Institutions had a pretty funny response to his own professional trials and tribulations (Not Printed at State Expense).
Whether this “psychic interior sabotage” went beyond his boss hiring his own daughter to work in the department, I have no idea. But this assessment comes from the pen of the man who wrote in seriousness about UFOs. In fact, according to Wikipedia (so it must be true), his name was the inspiration for the name of Dana Scully on the X-Files!
He sounds like a fascinating person! Also, I love response postcards. There are quite a few you can find online from famous authors of days past in response to autograph hunters and people requesting appearances and speeches and the like.
Like this post? Here’s more about historical research:
BINGO! At the Intersection of History and Slang
How to Research History like a Novelist
About the Author: Benjamin L. Clark writes and works as a museum curator.
If your writing…
Ch-ch-ch-changes!
Fun times, editing, editing, editing. This one is coming together…
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Old Gems found in Fourteen Great Detective Stories
I dipped into this wonderful old anthology over the past couple of weeks. I once actively collected the Modern Library series, and this book was on those shelves, though it’s in far from collectible condition. It does have a fun old gift inscription and a big old crease through the front board, which somehow makes the book look more friendly.
Earlier I read an essay about how the story The Case of Oscar Brodski, one of the Dr. Thorndyke mysteries by R. Austin Freeman was revolutionary for being the first We See Who Commits the Crime, Will They Be Caught style of stories. In old essays about crime fiction, this is often called an Inverted Detective Story. I had never read Dr. Thorndyke and was not familiar at all with The Case of Oscar Brodski. Then, VOILA, springing forth from my own shelves, there it was. I think Freeman’s story holds up and was pretty good, even to this modern reader.
However, also in this book, the real treat was Cornell Woolrich’s short story The Dancing Detective. Wow! For suspense, menace, and just a straight-up creepy story, what a knockout! The narrator’s voice was so enjoyable, with just the right amount of dark humor. The contemporary slang, also very well done and hilarious. This short story exceeds a lot of stuff coming out today, but then again, Cornell Woolrich is still considered a master of the genre.
The stories included in this edition (earlier editions had slightly different contents):
Bailey, H.C. The Yellow Slugs
Bentley, E.C. The Little Mystery
Chesterton, G.K. The Blue Cross
Christie, Agatha The Third-Floor Flat
Dickson, Carter The House of Goblin Wood
Doyle, A. ConanThe Red-Headed League
Freeman, R. Austin The Case of Oscar Brodski
Futrelle, Jacques The Problem Of Cell 13
Poe, Edgar Allan The Purloined Letter
Post, Melville Davisson The Age of Miracles
Queen, Ellery The Adventure of the African Traveler
Sayers, Dorothy L. The Bone of Contention
Stout, Rex Instead of Evidence
Woolrich, Cornell The Dancing Detective
About the Author: Benjamin L. Clark writes and works as a museum curator.
“Bingo.” At the intersection of History & Slang
I can get swept along when writing, especially when writing dialogue. I’ve heard this state of writing called “flow” and that makes sense to me. Cruising along in my current story, set sometime around 1935 and out of the mouth of one of my characters comes the word “Bingo.” I’ve never used the word outside the game with the balls and whirlywheels myself, but this fictional gent decided to say it in my story. It jolted me out of the story and I thought: Did anyone even use the word Bingo in the ’30s? Just one of the things I worry about.
In my story, I mean “Bingo” in the sense of “you got it” not “I have aligned 5 arbitrary letter-number combinations, give me a prize.” Etymological dictionaries on my shelf say maybe Bingo goes back to 1815, the other says maybe only 1936 without much explanation. Not very helpful. I want my stories to capture language as it was used, to sound natural but be historically…well, probable if not absolutely correct.
Etymological dictionaries saying it was used in 1815, so yes, it would fine in a story set in the 1930s just isn’t good enough. In historical research, we sometimes get to that point of proving if something was at all possible and ignore if it was probable. It’s setting a too low bar for historical accuracy.
This is where Google Books’ Ngram Viewer can be helpful. It uses the collective bajillion-zillion words scanned by Google Books and charts them by year published. You can use it to chart a word or phrase’s popularity in all of GoogleBooks 450 million scanned published works. It’s not definitive, and may not perfectly reflect normal conversation, but certainly helpful to see how frequently the word was used in print. I don’t think it includes newspapers, which would be very useful if it would.
Turns out 1930-something isn’t a great time of the word Bingo. It was around, and was used earlier according to this chart, but has been climbing in popularity since then. The true high-water mark came in 1976, apparently. No idea why that would be, but that’s for someone else to chase. I have a story to get back to.
Like this post? Here’s more about historical research:
How to know Things are Bound to get Worse
How to Research History like a Novelist
About the Author: Benjamin L. Clark writes and works as a museum curator.
Read hungrily and delightedly…
Noir Renaissance?
A Noir Renaissance?
Probably the best essay I’ve read on noir fiction in a very long time, addressing the whiteness of noir, and the potential of its resurgence, making the point that noir has a place in protest literature. I think it absolutely has that chance, but not many writers take it. I certainly haven’t, but it’s something I’ll think about.
Nicholas Seeley, the author of the article, gives a good definition of noir stories as well:
By “noir,” I mean something more than a general tone of bleakness and dysfunction. … Anglo-American fiction evolved in the grip of a controlling public morality, which demanded the representation of behavior only within certain socially acceptable lines. The classic crime story, the kind written by Sir Arthur Conan Doyle and Dame Agatha Christie, is the whodunit: it takes place in an essentially orderly universe, with a common understanding of good and evil. Crime here is a dangerous anomaly, but order can be restored by a hero-detective who investigates and, eventually, unmasks the criminal: revealing evil for what it is, giving it a physical location in an individual, and in the process, re-affirming the innocence of the other characters.
Noir, as it emerged in the middle of a violent century, said to hell with all that. Its world was chaotic, baroque and hypocritical. Crime doesn’t disturb this world, it’s foundational to it. Noir stories gave the stage to criminals and their motivations, which range from unspeakable passions to a firm conviction that their particular crime serves a greater good. A detective may pursue such a criminal, but noir reveals the line between them to be a product of chance and circumstance—if, indeed, such a line exists at all.
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To new beginnings
This is definitely not my first blog post.
I had a blog about book collecting and bibliophilia for many years over on blogger. I’m active over on tumblr too, but that isn’t so much blogging as a constant stream of amusing/pretty/cool stuff. I post a lot of photos and quotes and things I happen to like, (i.e. typewriters. I love me some typewriters.) It’s more immediate too, so there will be music links and funny memes, you know, tumblr stuff. Here, I’ll share links to articles, tools, and especially historic research resources I find helpful. I may occasionally post music to write to, or cool images.
Here, I’ll talk about my research, my writing, whatever I’m working on as I progress toward my writing goals. What are those goals? Well, in the short-term, I’ve managed to get a piece of flash-fiction placed with cool series from Akashic Books. Next is to finish another short (but longer than flash) piece and get it placed somewhere. Longer term, I’m working on what I’m seeing as a novella series, and then another series of full-length novels. Both series are historic thrillers/mysteries. One of those series grabbed me by the collar and is dragging me along.
What I’m working on now: a novella set in and around 1930s Denver. I was not alive in the 1930s nor have I lived in Denver, so there’s some research to do. This story also features a main character who I think will be a series character. Anyway, the short has been a lot of fun, using info I’ve dug up previously, but haven’t used.
I’ve gotten to know the main character in this one pretty well. He first appeared as a supporting cast member of my first attempt at a novel back in 2007 or so. Through edits, rewrites, and dumping the whole thing and starting over a couple times, he’s emerged as one of the two main characters of that novel — he was too fascinating, and too much fun to hang out with compared to my original main character.
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Anyway, thanks for reading. No spoilers, but amazing poster served as a bit of inspiration this week:
Book Review: The Murder of Mary Russell by Laurie R. King