[mc4wp_form id="1782"]

Bernie Mireault’s The Jam: A Superhero Story Rooted in Reality

My copy of The Jam in hand. Photo by author

Comic writer and artist Bernie Mireault died this month. He was 63. I was not familiar with him or his work, but my friend and collaborator Nat Gertler,  wearing his About Comics publisher’s hat, worked with Mr. Mireault to get his much-lauded comic, The Jam, back into print.

In the remembrances that followed Mireault’s passing, his work was praised and cited as being too little known for how well-regarded it is. He was described as a cartoonist’s cartoonist. About Comics made their reprint available at cost for about a week, so I grabbed a copy to see for myself what everyone was talking about.

The story opens with our would-be hero, a mere mortal, getting the upper hand in a mugging about to go very wrong. That’s something I really loved here — The Jam is about a superhero who is not superhuman. He’s a guy who wants to see some good in the world and has realized he can be part of that good. But, darker forces are gathering. Disillusioned young men are being drawn to a leader with a plan, and soon enough, the Jam has pissed off the Devil himself. So, if you read The Tick and thought, I wish this had a dash of Sandman, well, you’re in the right longbox.

Mireault’s The Jam is great! The writing and art are a lot of fun, and very well done. It’s a grownup comic, but not quite what modern marketing people would call “gritty.” There was also something really charming about the art that reminded me of, well, The Tick or old concert posters of the era. That late-1980s indie comic feel, from the black-and-white explosion. But story also felt rooted in a very real vision of a real city. There’s also a ton of technical know-how and thought going into each panel, each word balloon. I realized I was analyzing the lettering at various points, and thinking about how crazy it is, but still really well done, really fun. Reading The Jam made me think, “Yeah, comics are good.”

If you like the sound of that, The Jam is available in print through About Comics.

But, I should note that comics are rarely kind, or just. If you are having thoughts of suicide, you can reach out for support by texting or calling 988. The helpline is available 24/7 across the US and all of its territories.

Don’t miss a thing and sign up for my newsletter!

Inside pages of The Jam comic book, featuring black and white comic art with action throughout several panels.
Sample pages courtesy AboutComics.com

About the Author: Benjamin L. Clark writes and works as a museum curator.

Book Review: The Library Book by Susan Orlean

Cover of The Library Book by Susan Orlean

By Benjamin L. Clark

The Library Book by Susan Orlean — This book was on some great end-of-year lists last year and for good reason. I had it on my shelf for a while waiting for “someday,” and, well, someday came. It’s an amazing book. Is it very, very long-form journalism, is it popular history? A twist on True Crime? Where does that line even exist? It doesn’t matter. Deeply, passionately researched, this is a love story. Not simply to the beautiful Central Library in downtown Los Angeles, but to libraries everywhere, to the librarians who made and make them what they are, and most of all to the libraries of our hearts. 

Burning the Library

Los Angeles Public Library
Los Angeles Public Library, courtesy, California Historical Society, CHS2015.1897

The story of the 1986 fire that became one of the largest single-event losses of print culture in human history is the burning hoop that keeps this story together, fueled by the clear-eyed curiosity of Susan Orlean. Orlean is present in the story, but with so much uncertainty around the fire, and around the man who was arrested for it, her voice is the anchor readers need. Harry Peak was arrested for starting the fire, but not charged and eventually released has a slippery historical record, but a fascinating and in the end, sympathetic story. He died in 1993. Though the case remains unsolved, Orlean has done an incredible job taking the scraps and bits, talking to the right people who still remember important things, and puts it all together, not only cohesively and effectively, but in a touching and humane way.  

I’ve liked the L.A. Library for a long time, too. I’ve never been there or anything, but I like the architect who designed it, Bertram Goodhue. He also designed the capitol building of my home state of Nebraska. He is an interesting person as well, and his role isn’t ignored either. 

What Didn’t I Like?

Nothing. It was an incredible story well told. I’m sure Orlean could have filled four thick volumes of footnotes for all of it, but didn’t need to. I can see some readers may not see the point of going back to the L.A. Public Library’s very genesis, and down through the years along the way, but I found it fascinating! There are several other people who should have a lot more written about them! What we got was not enough! I kept hopping over to Wikipedia to look up more about individuals mentioned, looking for other connections. 

Reading Such A Book “In Times Like These”

“Under our current circumstances,” “in these unprecedented times,” whatever your preferred euphemism for sheltering at home during a novel virus pandemic that has already taken 300,000 lives worldwide, it’s a strange time to review a book at all. Especially one about a disaster. But I found this book to be strangely calming. Orlean brings order from an avalanche of charred, damp, broken bits. I also miss my local library. Also, as curator of a museum, I couldn’t help but feel encouraged — we’re going to be OK too. 

The book was also a balm for how open-ended our “current circumstances” are. The library fire burned for several hours, but the destruction and unanswered questions lasted for years. I can’t imagine working in the conditions the people there endured for so long. Would the library be rebuilt? Would the institution even survive? Could the city even afford to rebuild if there was political will to do so? Spoiler alert: In the end, the library was restored, expanded, and is thriving. 

Who Should Read It?

Bibliophiles of any stripe, anyone interested in the history of Los Angeles. Creative people, people pushing nostalgia for the 1980s. People facing disasters. Survivors. Culture vultures, architecture nerds, the bookish, the lonely, the weird kids. Friends of the Library, Museum, Symphony, Theater, whatever. It’s a great book and you should read it too.

About the Author: Benjamin L. Clark writes and works as a museum curator.