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From Panels to Presents: The Comics History Book Gift Guide

The 2025 edition of something I’ve tried writing before, but never seemed to finish before February, so … we’ll try again. As gift-giving season approaches, I’m starting to be pestered by my loved ones about my Christmas wishlist. As I put a few ideas together, my list is pretty much the same every year: books, books, books, and expensive woolly socks. There have been so many amazing books that have come out or come to my attention this year. Here are the ones I’d recommend to anyone, especially to people who enjoy comics history.

The Art of Popeye by R. C. Harvey

Another Popeye fan and a friend got this at San Diego Comic Con this summer, and I had to borrow it immediately. It’s filled with great art from the entire world of Popeye, not only the E. C. Segar strip but also classic animation and more. If you’re already a Popeye fan or at least a Popeye appreciator, you’ll enjoy this. I don’t know whether R. C. Harvey left more finished manuscripts, but this could well be one of the last books we’ll get from one of the great comics historians.

How Comics Are Made by Glenn Fleishman

I’ve praised this book many times, and I won’t be stopping anytime soon. Yes, I was interviewed for it, and facilitated a couple of small bits of this massive and enlightening puzzle. It’s a monumental work. This time, I don’t mean the book’s overall size, but the place it holds in our understanding of comics history. The invention of newspaper comics, and how they were actually created and put into readers’ hands, is an extremely understudied element of the story, and one that is already hard to nail down with the passing of the people involved and the binning of the technology used. Glenn was perfectly positioned not only to make sense of it but also to gather these disparate elements to tell the story. There’s more work to do, but anyone who works on this subject in the future will owe a debt of gratitude to Glenn Fleishman.

Mafalda by Quino, translated by Frank Wynne

A fresh English translation of this Argentinian kid strip classic. Often compared to Schulz’s Peanuts, I think it shares stronger DNA with Ernie Bushmiller’s Nancy, but that’s me. Yes, it’s very political, but seeing the questions and observations of another place and time mirror so much of our own is a comfort, granting a nod of comforting recognition. If Mafalda can weather the storm, so can I. From what I understand, this is going to be the first of a multivolume series, so start collecting them now, or you’ll have to hunt them all down later.

History of Manga by Eike Exener

Eike Exener’s previous book, Comics and the Origins of Manga: A Revisionist History, was excellent and mind-opening for me. If you’re interested in the world of comics, its global reach and evolution, and want a de-mystified understanding of manga in particular and how this rich branch of the comics family tree fits into the larger picture, get this book. I have a lot to learn about manga in general, and Exener’s books have been enlightening, making me finally feel like I’m on the right track.

Moomin Comic Strip Collections

The Moomin comic strip collections are not new, nor did they just come to my attention this year, but I must evangelize for this hilarious and wonderfully drawn strip every chance I get. More people need to know about it, especially American comic strip fans. Tove Jansson’s Moominvalley is a place I love to visit, where ridiculous adventures launch on preposterous whims, outlandish weirdos pop in and out of the story with even more frequency than real life. With the help of her brother Lars, she created a comic strip that should be more widely known. The Complete Moomin Comic Strip collections by Drawn & Quarterly are my preferred method to collect and read this strip (in ten volumes), but there are smaller paperback collections of single storylines that have been colored and are perfect for younger readers or anyone just wanting to give it a little try. For the holidays, let me recommend Moomin Winter, for when you just need a moment away from the crowd.

The Smythes by Rea Irvin

A book that is on my own Christmas wishlist! It comes out on December 9, and I’ve not seen it yet, but from what I’ve seen of The Smythes by Rea Irvin, it looks like a ton of fun and incredibly beautiful. I’ve always been an easy touch for anything related to the early days of the New Yorker magazine. I’ve read multiple biographies and memoirs of the early writers and editors there, including some of my all-time favorites like E. B. White and James Thurber. Rea Irvin is perhaps most famous as the creator of the New Yorker’s monocle-wearing classic logo/mascot/colophon character, Eustice Tilley.

Society is Nix by Peter Maresca

This new edition has some new content from the long out-of-print earlier edition of this monumental tome. And, I don’t use the term monumental lightly. This is not only a fascinating work of comics history, it is also lovingly and gorgeously reproduces pioneering comics pages in absolutely massive reprints. The book is nearly the size of a modern newspaper sheet, so it’s still a bit smaller than these gorgeous comics were originally printed, but far larger than we typically get. Here we also have strips we never get to see by artists who would define comics as we know them today, but who did so before anything in comics was truly codified. “Gleeful anarchy,” indeed. Wild formatting, shocking color, and action that cartoonists today cannot seem to imagine.

Tell Me A Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund by Caitlin McGurk

Easily the greatest title of any book, maybe ever. Another book from the past year or so, from the early days of the New Yorker, but also incredibly charming, fun, sassy humor, and gorgeous drawings. I’m a huge fan of this book, and now of Barbara Shermund. This book has easily been the most passed-around book in my circle of comic nerds and professionals this year. This book won the Eisner Award for Best Comics-Related Book this year.

The Art of Nothing: 25 Years of Mutts by Patrick McDonnell

This book has been out for a few years now, but in case you haven’t seen it, it includes Patrick’s gorgeous drawings and all the fun and humor of one of the greatest comic strips currently running, Mutts. So far, it’s the closest thing we’ve got to an artist edition of Mutts. And how many books have contributions from both Eckhart Tolle and Lynda Barry? I imagine that’s a short list.

The Poet, Volume Two: 2021, by Todd Webb

If you love Mutts by Patrick McDonnell (who wrote a foreword for this volume), Peanuts by Charles M. Schulz, the work of Mo Willems, and thought “This could use a dash of Gary Larson’s Far Side,” well, look no further. This daily strip, which Webb publishes online, has (thankfully) come out in a second annual compendium. He’s published his comic in little affordable collections, too, but these are great for passing around to friends who’ll enjoy it. These big annual collections (there’s a Volume One, as well) are fabulous, and I keep them for myself.

The Essential Peanuts by Charles M. Schulz: The Greatest Comic Strip of All Time by Mark Evanier

2025 marks the 75th anniversary for Peanuts. Yes, this book includes an essay by me, and I was on the committee that picked (and argued over) which strips to include in this very special book. This includes history, personal reflections, and so much more. It’s a very special collection. This special edition also includes a collection of stickers, mini posters, a patch, and more, all designed by Chip Kidd!

I’m sure there are books I’ve accidentally overlooked, but for now, this is a pretty good lineup. I’d be thrilled to receive any one of these books as a gift, so I imagine the comics history nerd in your life will too (if they don’t already have it). If you’re the comic nerd, forward this to your friends and family with a note about favorites. All of the affiliate links in this post support local, independent bookshops.

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About the Author: Benjamin L. Clark writes and works as a museum curator.

Should You Join the Popeye Fan Club? I Did!

The return address of the Official Popeye Fanclub printed on a white envelope, featuring the comic character Popeye in a circle.

This summer, my friend Denis and another friend of his (that I don’t know, named David) took a pilgrimage through the American Midwest, visiting sites connected to comics. From the photos and stories, it sounded like an amazing trip. They are both longtime comic geeks and have a great podcast about Superman called Supermansplaining – they have an episode about their trip.

The first appearance of Popeye as seen in the Harrisburg Telegraph on January 17, 1929.
The first appearance of Popeye as seen in the Harrisburg Telegraph on January 17, 1929.

One stop they made was in Chester, Illinois, the birthplace of comic strip artist E. C. Segar. His newspaper comic strip, Thimble Theatre, became enormously popular in the 1920s. This was an era when newspaper comic strips were among the few forms of shared entertainment available to most Americans. Readers loved following the exploits of the inventor O. G. Wotasnozzle, the savvy Castor Oyl, his sister Olive Oyl, and her boyfriend … Harold Hamgravy. Then, about a decade into the strip, a side character was introduced with the immortal words: “‘Ja think I’m a cowboy?”

Of course, it’s Popeye. He was introduced to captain a boat that Castor Oyl has bought to take Bernice, the good luck Whiffle Hen, with him as he seeks his fortune. Popeye was probably meant to only be a side character, but he completely took over the strip. Fans loved the Oyls, but they went crazy for Popeye. Soon, Popeye was animated on screens and on toy store shelves.

I got into E. C. Segar’s Popeye comic strip only within the past few years. Professionally, I’m a comics historian and curator, and I work for the Charles M. Schulz Museum, creating exhibitions about Peanuts and Schulz. So, when I read that Charles Schulz said, “Popeye is immortal,”1 it got my attention. Schulz loved Segar’s Popeye and praised it often. I had to check it out myself. Luckily, there are great collections of the strip available in reprints.

The return address for the Official Popeye Fanclub printed on an envelope with the character. The mailing address

To my memory, Popeye had his girlfriend or wife, Olive Oyl (I was not totally sure on this), and there was a baby in the picture at some point, Sweetpea, and there was Wimpy, who liked hamburgers but all he ever said was something about paying you back next Tuesday, and then Popeye would get in a fight with Bluto, eat some spinach and eventually kick some ass. Pretty simple, pretty blah. But here’s Schulz, who reinvented newspaper comics, giving Segar’s Popeye the highest praise he can. I had to look into it. After all, I was sure I had never seen this original Popeye, but only much later incarnations.

Luckily, there are fabulous collections available if, like me, you want to check it out. Each of these volumes have great introductions, too, by people who know what’s up:

E.C. Segar’s Popeye Sundays Volume 1: Olive Oyl & Her Sweetie
E.C. Segar’s Popeye Sundays Volume 2: Wimpy & His Hamburgers
E.C. Segar’s Popeye Sundays Volume 3: The Sea Hag & Alice the Goon
E.C. Segar’s Popeye Sundays Volume 4: Swee’pea & Eugene the Jeep

The stories are funny, the drawings are funny, and the writing is good. Yes, it’s old, but it’s still amazing. Filled with laughs, fun, adventure, and action, I now see clearly why people still like Popeye so many years later.

So, after returning from his trip, when my friend Denis told me about a Popeye Fan Club based in Chester, Illinois, I perked up. Why hadn’t I heard of it sooner? For one thing, it’s very old school. Their website is very Internet 1.0 for those who remember the pre-social-media days of being online. They require you to send a check. There is no functioning online payment. And they print — let me say that again, nice and loud — PRINT a 32-page newsletter and mail it to you for $10 American Dollars, three times per year. No, that’s not $10 plus shipping per issue; that’s $10 for three thick, printed issues delivered to your mailbox within the continental United States. It’s such a treat to get a printed newsletter in the mail, and it brings back what are now fond memories of receiving such things in pre-Internet times. Back when you discovered your niche interests through word-of-mouth or by reading a newsletter or zine, you would mail away with a check, hoping it wasn’t a scam or had already dried up by the time you found out.

A packet of Popeye fan club newsletters partially pulled from an envelope.

So, I sent a check through the USPS, following the instructions on the website, and I received a couple of back issues that I requested (and included payment for) and the latest issue of the club’s newsletter very quickly. All in all, a total and absolute delight.

I share this with you in the hopes that more people sign up. How they’ve kept such an enterprise afloat on $10 annual memberships, I have no idea. Maybe if there are a few more members in good standing, it’ll make it all a little easier and keep it running. CLICK HERE to see about joining up.

In my packet, I also received a membership card and a membership certificate, both of which surprised and charmed me to no end. I love being a literal “card-carrying member of the official Popeye fan club.” I think I’ll frame and hang the certificate in my office at the Charles M. Schulz Museum, though my wall space is already pretty full. I may need to make some hard choices.

An membership card for author Benjamin Clark stating that he is a member of the Official Popeye Fanclub.

Reading the newsletter, I vowed to write something worthy of publication for the club someday, and I will proudly add it to my media bio — Benjamin L. Clark, Eisner Award winning comics historian and museum curator. His work has been profiled in the Washington Post, NPR Morning Edition, CBS Sunday Morning, and the Official Popeye Fan Club Newsmagazine.

Gold bordered Official Popeye Fanclub certificate with images of Popeye and a statement of membership for the author Benjamin L. Clark. The certificate also states that the club was established in 1989.

About the Author: Benjamin L. Clark writes and works as a museum curator.

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